|L. S. Eldridge|
L. S. Eldridge
W A T E R C O L O R S
Notes from the Deckle Edge
This deep dive into a subject has been a real revelation to me. I came to a point last year where I thought I was done with it, but did a rather abrupt about face when I considered a different vantage point, and so began a journey of discovery. If you have read my blog you know I love a museum crawl. I love "the timeline" and I always discover something new even if greeting an old friend. But how was it relevant personally? I thought this consideration could be...interesting. Let's be clear, I'm not talking about deconstructing a painting. I can do that with the best of them. No, I'm talking about essentials. So this journey started last year and I just completed the fourth painting. As I start the fifth I find I a truer sense of understanding and have experienced tangible personal growth as a result. The most important thing I discovered was that I can tackle anything with but one subject. So, to the ether, I send thanks to those who have held my hand. Back to my brushes.
"Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings." - Wassily Kandinsky
I'll be painting today but just wanted to recall my most recent reading list. Perhaps you can find something you would be interested in. So let's start with one of my fave writers Christopher Moore. I started Noir because, frankly, I was in the mood for Moore. I can, as usual, recommend. If you like Humphrey Bogart movies, you'll be entertained by this book. I can recommend two books by Susan Vreeland, the first being Lisette's List and the second Luncheon at the Boating Party. Both are novels, one based on the famous painting and the other uses WWII as the background of art discovery. I enjoyed them both. I can recommend The Last One by Brian King. This book is a mystery about the last painting by Vincent Van Gogh - and I do love a mystery. The Shallows is another murder mystery by Matt Goldman. I have fallen for this series hard and as soon as it is released I pick it up. The Library of Lost and Found by Phaedra Patrick was enjoyable, but I got interrupted too many times and will probably re-read. Highly recommend Clear Seeing Place by Brian Rutenburg. Not only was it interesting it made me laugh too. But I have saved a special one for the end. This article in the New Yorker magazine by Malcolm Gladwell from 2008 is a must read in my opinion. It is titled Late Bloomers: Why do we equate genius with precocity? Here is the link . So just read it. Back to my brushes.
"Art is the stored honey of the human soul, gathered on wings of misery and travail." Theodor Dreiser
It appears I went to bed last night on the eve of Independence Day only to wake up this morning on May Day, 1965, in some alternate universe. In response, I share an image of my painting titled Disconnected. Back to my brushes.
"Freedom in art, freedom in society, this is the double goal towards which all consistent and logical minds must strive." - Victor Hugo
There is just something, a regenerative power, that I derive when I cross the Mississippi and head back home again. Is it the flat delta or just the sign? Is it just knowing that I am closer to my kin or that I can avoid the car for awhile? The opportunity to rest in my own bed perhaps? Maybe just the simple daily routine beckons me back? The opportunity to gather my thoughts and put it in a painting? Well, whatever the reason I can say the height of the Mississippi River made me forget all those things and just stare in amazement. WOW the river was high! And the Arkansas River has seen record flooding. And my family have seen their rivers rise and flood as well. And since we have returned home it has done nothing but rain, rain, rain. Depressing. Back to my brushes.
"Criticism, like rain, should be gentle enough to nourish a man's growth without destroying his roots." - Frank A. Clark
I'm pleased to share that my painting Pencil Me In has been chosen for the 2019 National Watercolor Society's 99th International Open Exhibition to be held at the NWS Gallery in San Pedro, California from October 3 through November 17, 2019. My thanks to the judges of selection: Jean Grastorf, Elaine Daily-Birnbaum, and Frank Eber. Back to my brushes.
"If I could say it in words there would be no reason to paint." - Edward Hopper
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of the artist, L. S. Eldridge.